Powered by the chart-topping hits of the undisputed Princess of Pop, a group of friends goes on a quest to rewrite their stories and redefine “happily ever after.” Once Upon a One More Time weaves 23 of Britney Spears’ smash singles—like “Crazy,” “Oops!…I Did It Again,” “Circus,” “Lucky,” and “Toxic”—into “a big, modern, musical dance party, with Britney’s beating heart at its core” (ABC News). This is more than a musical. This is Broadway’s best night out. “It will leave you breathless. Expect to keep on dancin’ long after it ends!” (Entertainment Weekly)
The dreadful show, which opened Thursday night at the Marquis Theatre, takes the pop songs of Britney Spears and plops them willy-nilly in a feminist Cinders in which the main character realizes there’s more to life than falling in love with a prince. Good for you, Cindy, but wouldn’t it be nice if you were both a freethinking, independent woman and your musical’s story made a lick of sense? It’s bibbidi-bobbidi-brainless. Instead of crafting compelling characters or a gripping plot, book writer Jon Hartmere has combined dance floor tunes from the aughts and half-baked, teacher’s-pet ideas into shapeless mush. “Once Upon” is rarely fun, but always cloying and impossible to follow.
The truly awful “Once Upon a One More Time,” which opened on Broadway Thursday night at the Marquis Theatre with direction and choreography by Keone and Mari Madrid and David Leveaux as creative consultant, is not that musical. Instead, it tries to cash in on the repetitive fashion of the moralistic musical moment and use Spears’ songs as a way to critique and deconstruct “problematic” fairy tales. The show, written by Jon Hartmere, has a plot very, very much akin to “Bad Cinderella,” another disaster that trashed a beloved fairy tale, and to the current multi-artist jukebox show “& Juliet,” which looks like “Sweeney Todd” in comparison to the other two attractions. “Once Upon a One More Time” takes an apparent cue from #FreeBritney except that we’re watching a show about the emancipation of Snow White, the Little Mermaid and Sleeping Beauty, as led by that dangerous radical Cinderella.
Digital Lottery:
Price: $47
Where: https://lottery.broadwaydirect.com/show/omt-ny/.
When: Lottery entries for each performance will be accepted starting 9:00 AM the day prior to the performance until 3:00 PM the day prior to the performance. Once the lottery closes, winners will be notified within minutes and will have 60 minutes to claim and pay for tickets.
Limit: Two per customer
Information: Seat locations and number of tickets awarded by the lottery are subject to availability, and some lottery seats may be partially obstructed.
2021 | Washington, DC (Regional) |
Washington, DC (Regional) |
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Costume Design of a Musical | Loren Elstein |
2024 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Justin Guarini |
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